2025 started on a high note, and it has me reflecting on where it all began.
At 17, I was an intern at MultiRio, starting as an Editor and learning to use Final Cut for the first time. We were working on a series called "Pequenos Notáveis", which told the stories of samba legends through a mix of dramaturgic storytelling and music. At the time, I wasn’t particularly into samba, but something shifted during those hours of adjusting color and listening to the songs. That’s when I began to truly appreciate the music and the history behind it.
This totally random memory brought back some amazing others of that time—and the people who were part of them. I was just a teenager, but I got to work with talented professionals like Pedro Dias, who remains a lifelong connection, and Eduardo Goldenstein, the serie's director and so many nice people I would have loved to stay in touch.
After that, I did also a Production internship at MultiRio, which solidified my passion for this industry. Now, as a hands-on producer and head of production at a digital studio, it’s incredible to look back and see how far I’ve come.
I’m deeply grateful for my time at MultiRio anyway! It was such a fun and formative experience. Funny how it all began with that first internship.
I've found that video online for the series entrance... It's only in Portuguese, but you can check the idea.
At 17, I was an intern at MultiRio, starting as an Editor and learning to use Final Cut for the first time. We were working on a series called "Pequenos Notáveis", which told the stories of samba legends through a mix of dramaturgic storytelling and music. At the time, I wasn’t particularly into samba, but something shifted during those hours of adjusting color and listening to the songs. That’s when I began to truly appreciate the music and the history behind it.
This totally random memory brought back some amazing others of that time—and the people who were part of them. I was just a teenager, but I got to work with talented professionals like Pedro Dias, who remains a lifelong connection, and Eduardo Goldenstein, the serie's director and so many nice people I would have loved to stay in touch.
After that, I did also a Production internship at MultiRio, which solidified my passion for this industry. Now, as a hands-on producer and head of production at a digital studio, it’s incredible to look back and see how far I’ve come.
I’m deeply grateful for my time at MultiRio anyway! It was such a fun and formative experience. Funny how it all began with that first internship.
I've found that video online for the series entrance... It's only in Portuguese, but you can check the idea.
LOOK WHAT I'VE COME ACROSS THE OFFICE! ✨
As we all reflect on the past year, I find myself reflecting on everything I’ve accomplished — from set production to digital art projects, I’ve been involved in countless amazing experiences in 2024. But today, I stumbled upon something that really captures it all: our Pre-Production Book (PPB) for Audible project.
In set production, the PPB is an essential tool that brings together every aspect of a project before filming begins. It covers everything from creative direction to logistics. Essentially, the bible of each production. It's all about laying the foundation for success.
One standout project this year was my collaboration with Audible and Fold7. What made it so special?
I had the chance to combine all my areas of expertise: years of experience in set production, along with years working in 3D and post-production. We had an incredible time shooting in Rio de Janeiro, showing off our beautiful city to our clients and putting in solid work during four intense days in the studio. And the fun didn’t stop there! I also oversaw the 3D post-production process, which included dragon tails, aliens, stunning environments, and so much more.
Seeing our composition artists refine and perfect the final details was the cherry on top!
🐉👽
This was a fantastic partnership with Fold7, and I can’t wait to dive into more projects like this in 2025. Here’s to more creativity, collaboration, and pushing boundaries!
As we all reflect on the past year, I find myself reflecting on everything I’ve accomplished — from set production to digital art projects, I’ve been involved in countless amazing experiences in 2024. But today, I stumbled upon something that really captures it all: our Pre-Production Book (PPB) for Audible project.
In set production, the PPB is an essential tool that brings together every aspect of a project before filming begins. It covers everything from creative direction to logistics. Essentially, the bible of each production. It's all about laying the foundation for success.
One standout project this year was my collaboration with Audible and Fold7. What made it so special?
I had the chance to combine all my areas of expertise: years of experience in set production, along with years working in 3D and post-production. We had an incredible time shooting in Rio de Janeiro, showing off our beautiful city to our clients and putting in solid work during four intense days in the studio. And the fun didn’t stop there! I also oversaw the 3D post-production process, which included dragon tails, aliens, stunning environments, and so much more.
Seeing our composition artists refine and perfect the final details was the cherry on top!
🐉👽
This was a fantastic partnership with Fold7, and I can’t wait to dive into more projects like this in 2025. Here’s to more creativity, collaboration, and pushing boundaries!
A BRIEF ARTICLE ABOUT SOME PAST JOBS
Hello there, folks!
Working in production is like solving a giant puzzle—balancing creative vision with technical execution while managing teams, budgets, and deadlines. Every project has its own challenges, and that’s what keeps me hooked.
Recently, while building my portfolio, I reflected on a project from 6-7 years ago that involved organizing a shoot with five athletes flying over the Christ the Redeemer statue just before the Olympics. I was a production assistant at the time. Between airspace restrictions, multiple permits, and colorful smoke effects, it was a logistical puzzle. One hurdle? The suits were inflammable, and the smoke cans got super hot. After recalling a conversation with some engineer friends about heat-insulating materials (many thanks Alex Lima Silva!) during a barbecue, I suggested a solution. We built wooden boards overnight, and it worked perfectly. That moment confirmed I was meant to be a producer, and it reminded me how everyday conversations can inspire creative problem-solving.
I’ve learned so much since then, and I’d approach a lot of things differently today. But that’s the beauty of this journey—constant growth. That’s why I’m including this project in my portfolio. It’s part of my story, and I’m excited to keep evolving.
25/09/2024
Working in production is like solving a giant puzzle—balancing creative vision with technical execution while managing teams, budgets, and deadlines. Every project has its own challenges, and that’s what keeps me hooked.
Recently, while building my portfolio, I reflected on a project from 6-7 years ago that involved organizing a shoot with five athletes flying over the Christ the Redeemer statue just before the Olympics. I was a production assistant at the time. Between airspace restrictions, multiple permits, and colorful smoke effects, it was a logistical puzzle. One hurdle? The suits were inflammable, and the smoke cans got super hot. After recalling a conversation with some engineer friends about heat-insulating materials (many thanks Alex Lima Silva!) during a barbecue, I suggested a solution. We built wooden boards overnight, and it worked perfectly. That moment confirmed I was meant to be a producer, and it reminded me how everyday conversations can inspire creative problem-solving.
I’ve learned so much since then, and I’d approach a lot of things differently today. But that’s the beauty of this journey—constant growth. That’s why I’m including this project in my portfolio. It’s part of my story, and I’m excited to keep evolving.
25/09/2024